一、傳統文獻
1.《道藏》[The Daoist Canon](北京[Beijing]:文物出版社[Cultural Relics Press],上海[Shanghai]:上海書店[Shanghai Bookstore Publishing House],天津[Tianjin]:天津古籍出版社[Tianjin Ancient Works Publishing House],1988)。
2.[漢]毛亨Mao Heng傳,[漢]鄭玄Zheng Xuan箋,[漢]陸德明Lu Deming音義,孔祥軍Kong Xiangjun點校,《毛詩傳箋》[Maoshi chuanjian](北京[Beijing]:中華書局[Zhonghua Book Company], 2018)。
3.[梁]陶弘景Tao Hongjing撰,王家葵Wang Jiakui輯校,《登真隱訣辑校》[Dengzhen yinjue jijiao](北京[Beijing]:中華書局[Zhonghua Book Company],2011)。
4.[唐]徐堅Xu Jian著,《初學記》[Book for Beginners](北京[Beijing]:中華書局[Zhonghua Book Company], 2004)。
5.[唐]釋道世Shi Daoshi著,周叔迦Zhou Shujia、蘇晉仁Su Jinren校注,《法苑珠林校注)[Annotation of Fayuan Zhulin](北京[Beijing]:中華書局[Zhonghua Book Company],2003)。
6.[宋]趙希鶴Zhao Xihu,《洞天清祿集》[Dongtian qingluji](揚州[Yangzhou]:廣陵書社[Guangling Publishing House],2020)。
7.[清]孫詒讓Sun Yirang著,汪少華Wang Shaohua整理,《周禮正義》[Zhouli zhengyi](北京[Beijing]:中華書局[Zhonghua Book Company],2015 )。
8.[清]孫希旦Sun Xidan撰,沈嘯寰Shen Xiaohuan、王星賢Wang Xingxian點校,《禮記集解》[Lji jijie](北京[Beijing]:中華書局[Zhonghua Book Company],1989)。
9.[清]黃以周Huang Yizhou撰,王文錦Wang Wenjin點校,《禮書通故》[Lishu tonggu](北京[Beijing]:中華書局[Zhonghua Book Company],2007)。
二、近人論著
1.林梅村Lin Meicun、郝春陽Hao Chunyang,《鵲尾爐源流考——從犍陀羅到黃河、長江》[On the Origin and Development of Magpie-tail Censer,From Gandhara to the Yellow and Yangtze Rivers],《文物》Cultural Relics,no. 10(2017): 63-74。
2.馮慧Feng Hui,《中日所見晉唐時期的長柄香爐》[On the Long-Handled Incense Burners from the Jin to Tang Periods Found in China and Japan],《考古與文物》Archaeology and Cultural Relics, no. 5(2016): 122-133。
3.崔菊姬Cui Juji,《中國古代長柄香爐》[On Incense Burner with Handle of Ancient China],《中原文物》Cultural Relics of Central China,vol. 05(2016): 76-84。
4.冉萬里Ran Wanli,《略論隋唐時期的香爐》[On the Censer in Sui and Tang Dynasties],《西部考古》Western Archaeology,(2015): 105-152。
5.崔葉舟Cui Yezhou,《試論鵲尾式長柄香爐的來源》[The Origin of the Magpie-Tail-Handled Incense Burner], 《東南文化》Southeast Culture,no.2 (2017): 62-68。
6.李小燕Li Xiaoyan、井中偉Jing Zhongwei,《玉柄形器名“瓚”說——辅證內史亳同與<尚書·顧命> “同瑁”問題》[Yubing xingqi mingzan shuo: fuzheng neishihao tongyu Shangshu guming tongmao wenti],《考古契文物》 Archaeology and Cultural Relics,vol.3(2012): 34-53。 |